
Tereza Buskova (b.1978, Prague) is a Czech artist who lives in London. She completed her Fine Art Printmaking MA at the Royal College of Art in 2007. Her intuitive practices capture and renew folk traditions through the combination of filmmaking, screen printing and performance. Tereza has established strong working relationships with an important circle of artists. For six years Zoe Simon has modeled as the key protagonist, and perhaps her alter ego.
Since her graduation from the RCA Buskova has been exhibited by David Roberts and Anita Zabludowicz. As well as receiving sponsorship from a number of generous art collectors, the Arts Council UK have provided grants for two of her past projects. She has exhibited in a broad range of different spaces including a billboard print installation among the ancient flora of Lincoln's Chambers Farm Wood.
2012 has been marked by an inevitable Olympics event for the Czech Foreign Office, collaboration with a local business with a pig's head on the pavement, taking a pony to a Newcastle car park for an experimental Feminist Art Festival IMPRINT and returning to the village of her adolescent holidays to create the ‘Baked Woman of Doubice’ with the help of local women, including her mother.
Since her graduation from the RCA Buskova has been exhibited by David Roberts and Anita Zabludowicz. As well as receiving sponsorship from a number of generous art collectors, the Arts Council UK have provided grants for two of her past projects. She has exhibited in a broad range of different spaces including a billboard print installation among the ancient flora of Lincoln's Chambers Farm Wood.
2012 has been marked by an inevitable Olympics event for the Czech Foreign Office, collaboration with a local business with a pig's head on the pavement, taking a pony to a Newcastle car park for an experimental Feminist Art Festival IMPRINT and returning to the village of her adolescent holidays to create the ‘Baked Woman of Doubice’ with the help of local women, including her mother.